With its powerful and dynamic design, LE MINOTAURE, immediately calls for the deepest of comforts. Relating to Picasso’s pictorial imaginary, the “chair-object” is the rendering of the myth in its formal duality. Its decidedly iconic line, oversized as a mythical and fabulous hybrid, is also a nod to the Italian design. Expressed in all its sheer power, the idea of movement is executed through the feeling of a monster seeking to escape.